Audiences have been spellbound by the on stage chemistry and stagecraft at Harry Potter and the Cursed Child in Melbourne, but few would realize it all came together under our roof.

A BBC producer has heaped praise on Victorian screen crews who worked on the hit mini-series The Cry.

The vast talent of Victoria’s screen creatives was on show recently when the state welcomed its biggest production in ten years.

We’re celebrating 10 years of State Government ownership.

Focus on Philli Anderson Hailing from Sussex in the UK, Philli has made a name for herself as a stunt performer since arriving in Australia a decade ago.

If our studio is anything to go by, Victoria’s screen sector is flourishing.

One of Australia’s most experienced stunt performers, Chris Anderson has lost count of screen projects he’s worked on, but reckons it’s well over 100.

Production Designer, Felicity Abbott APDG outlines her approach to working on Australian director Leigh Whannell’s new feature film, Upgrade, shot at Docklands Studios Melbourne in 2017.

When not in use by film crews, our sound stages are helping Aussie basketballers reach the 2020 Tokyo Olympics.